"I C U" is an a few days ago taken at the yard of a highschool shot. I mean this picture as a with-no-words daystory of two close girlfriends who had no problem to stand in front of my camera for the needs of a photography lesson about focusing at the first or second level of a photo frame.
But they also are two young teenagers who are ready to conquer the life that lies just in front of them. And this might remind us an already well known life story: ours! Isn't it so?
Berthold,
sometimes it is more than obvious when two people's photographic prospect varies from shot to shot or theme to theme, and this is a mulitple sides to be seen matter (meaning, why this and not this, or, who's right and who's not, why this variation etc.). Through the years, I have understood well that what one might consider as a true highlight doesn't necessarily means that it might be considered by another too.
In my opinion, photography is a deeply curious field of creation, where everybody is permited to expand his personal testings, yet he has the obligation to accept any kind of critique once he decides to present them in public. Thus, if my claim is to be a photographer (eventhough still learner) don't I have to get under this kind of efficiency ratio? We don't have to think about it a lot, the answer is clearly YES.
Why am I telling you all these? First, to let you know that I both read carefully and feel pleased each time you or anyone else gives me his critical thought (it's like an unexpected gift), and, second, to make you feel free and comfortable to continue doing this every time you want.
It's not only because of politeness, it is a way to improve my work!
Yours,
Enne See
PS.: Forgive me for my poor english, as it is not the easiest thing for me to speak (write) fluently about board and abstract subjects as the certain one.
Thank you, Berthold, for commenting on my work again.
Alexandra is a very nice person indeed. She's a serious lady that teaches principles of portrait photography, together with her closest friend (a historian), Margarita.
This is a portrait shot of hers (out of two more) that I took a few days ago, when we were all working under a specific session on woman photography. To tell you the truth, the red fond was a personal choice of both of them when I gently asked them to pose for me.
The two portraits (Alexandra's and Margarita's) have been shot by using my brand new (then) lens, the Nikkor 17-55mm f/2.8, a piece that I didn't remain pleased with so much, thus I had it returned back to purchase the Nikkor 24-70mm f/2.8 next (an extremely sharp and fast glass, giving easily better results).
Alberto Angelici
Yes, a little bit grainy, it's true, due to be a crop and taken on very low light. Thanks for visiting my picture and have a nice day.
Alberto
carla ippoliti 03/04/2011 22:42
Thanks a lot Berthold... your appreciation is so precious for me!good night,
carla
Principesse
carla ippolitiAlberto Angelici 21/03/2011 21:06
IL CARNEVALE DI SAN FELICE 2 - RELOADED
Alberto AngeliciThanks for visiting my pic and suggesting this secondo version: what do you think about?
:-) Alberto
Linda Herbert 14/03/2011 3:44
Thank you for the lovely comment Berthold. I appreicate it. ~ LindaFrancesco Bologna 11/03/2011 16:18
ingranaggi
Francesco Bolognamouse & brush
Francesco BolognaTi ringrazio per la visita.
Francesco :)
carla ippoliti 09/03/2011 21:46
Thanks a lot berthold for your kind visit!hi Carla and Bibo
Imago vitae
carla ippolitiTad Kanazaki 09/03/2011 1:14
180degree[103]
Tad KanazakiThank you for your comments.
I took this one with hand hold camera.
Bw Tad.
Enne See 08/03/2011 21:21
Hi, Berthold!"I C U" is an a few days ago taken at the yard of a highschool shot. I mean this picture as a with-no-words daystory of two close girlfriends who had no problem to stand in front of my camera for the needs of a photography lesson about focusing at the first or second level of a photo frame.
But they also are two young teenagers who are ready to conquer the life that lies just in front of them. And this might remind us an already well known life story: ours! Isn't it so?
Cheers, mate!
Enne See
Susana Miguel 08/03/2011 16:01
NY at night
Susana MiguelLieben Dank für den Besuch und den netten Kommentar.
LG
susana
Enne See 28/02/2011 13:34
Berthold,sometimes it is more than obvious when two people's photographic prospect varies from shot to shot or theme to theme, and this is a mulitple sides to be seen matter (meaning, why this and not this, or, who's right and who's not, why this variation etc.). Through the years, I have understood well that what one might consider as a true highlight doesn't necessarily means that it might be considered by another too.
In my opinion, photography is a deeply curious field of creation, where everybody is permited to expand his personal testings, yet he has the obligation to accept any kind of critique once he decides to present them in public. Thus, if my claim is to be a photographer (eventhough still learner) don't I have to get under this kind of efficiency ratio? We don't have to think about it a lot, the answer is clearly YES.
Why am I telling you all these? First, to let you know that I both read carefully and feel pleased each time you or anyone else gives me his critical thought (it's like an unexpected gift), and, second, to make you feel free and comfortable to continue doing this every time you want.
It's not only because of politeness, it is a way to improve my work!
Yours,
Enne See
PS.: Forgive me for my poor english, as it is not the easiest thing for me to speak (write) fluently about board and abstract subjects as the certain one.
Tad Kanazaki 28/02/2011 1:38
Flow-2
Tad KanazakiThank you very for your kind comment.
BW Tad.
Enne See 27/02/2011 22:36
Thank you, Berthold, for commenting on my work again.Alexandra is a very nice person indeed. She's a serious lady that teaches principles of portrait photography, together with her closest friend (a historian), Margarita.
This is a portrait shot of hers (out of two more) that I took a few days ago, when we were all working under a specific session on woman photography. To tell you the truth, the red fond was a personal choice of both of them when I gently asked them to pose for me.
The two portraits (Alexandra's and Margarita's) have been shot by using my brand new (then) lens, the Nikkor 17-55mm f/2.8, a piece that I didn't remain pleased with so much, thus I had it returned back to purchase the Nikkor 24-70mm f/2.8 next (an extremely sharp and fast glass, giving easily better results).
Have a nice week, my friend!
Enne See
carla ippoliti 27/02/2011 21:22
Thanks a lot for your kind appreciaton Berthold...have a nice evening
Carla
Methamorphosys
carla ippolitiBuonuomo
carla ippolitiAlberto Angelici 16/02/2011 6:26
CIVILTA' DELLA MONTAGNA 3 / MOUNTAIN CIVILIZATION 3 - PECORE CURIOSE - COURIOUS SHEEP
Alberto AngeliciAlberto
Tad Kanazaki 16/02/2011 3:01
Tatami Room
Tad KanazakiThank you for your comment.
BW Tad.
Tad Kanazaki 04/02/2011 7:59
Mt.Fuji-2
Tad KanazakiThank you very much for your comment.
BW Tad.