The Chopping Chef
Down the street was the chopping sound of blade hitting a board echoing out, filling the narrow street I had ventured down. You get used to the sound about you. They describe to your mind what might be going on ahead.
A man looking derelict was stretched on a stairway, leading into a dark small restaurant which had four tables. A woman feeding her child at one table, a few men sitting back in the dark watching me. To them I blocked what little natural light that was entering the entrance. The chopping sound was to my right. I started to encounter what most street photographers don't want to experience while shooting. The potent fumes of a lot of fresh onions. Your eyes burning your vision become a problem. You just stand there with camera in hand. The light from the street becomes blinding. and your are in a space with people you haven't determined are safe enough. You could stumble into the sitting woman, or panic.
The choices and skill level become basic fast.
I chose to fake it and fight the burn. It was the right lens, the right camera and the knowledge of presetting my exposure before I walked into the very low light space filled with people at high noon.
I just started asking questions, and started shooting. Olympus has the best lowlight focusing system on the planet.
The little voce inside me said. "Glenn, feel the force". Thanks Spielberg for writing those lines in Star Wars 1". Strange how a Hollywood movie could enshure trust during a moment of physical pain to your running eye. When I felt I had shot enough, I calmly wiped my eyes , departed into the light slowly leaving everyone with the question what had just happened.
Well I could answer that from over a few thousand miles now. They just had a photographic encounter with Glenn of the third kind.
For me. I wasn't there just to take a picture, but rather to live the moment with all its obstacles. When you hurt you learn that shooting isn't about cool pictures but about the world people live in and die.
So I say thanks Olympus, and thank god I didn't order tea , coffee, or something to eat in a physical moment being partially blinded by the fumes of fresh onions.
Back in the light I had tears streaking down my face from dirt, and street volumetric dust and onions. The people that saw me in the Himalayas must have thought I was a big crybaby. When I think about it now. I see it as a real moment that photography allows you to experience if you are up to reality.
Oh by the way if you are to go shooting with me, don't select the Burger King or Starbucks with wifi.
Cheers
Dagi.H. 04/09/2014 7:58
Ich muss Tania zustimmen, Tränen weltweit nur wegen Zwiebeln schneiden, das wäre tatsächlich eine glückliche Welt!Leider viel zu schön um wahr zu werden.
Adele D. Oliver 03/09/2014 1:31
it is amazing how some people cope ... my husband uses one of these, and I have trouble watching him !!!as always an excellent street capture !!!
greetings, Adele
Carlo.Pollaci 02/09/2014 22:19
Great capture!Kind regards,
Carlo
anthony ryan 02/09/2014 16:21
Hi Glenn,your picture and the words below tell a story to touch the heart of the viewerCompliments.
Tony
Stefania Cecchetti 02/09/2014 15:51
Excellent composition and B/W, Glenn!I like it very much! Hugs......
Tania Skaradek 02/09/2014 14:55
Street photography in your version is very interesting, entertaining, and sometimes risky business! But nothing ventured nothing gained:-)You and your curiosity won again! The result is a unique frame!
And second, if in the world the tears flowed from the onion only, all people would be happy!
Regards
Tania
Claudio Micheli 02/09/2014 13:14
Immagine molto bella!Ciao
Dagi.H. 02/09/2014 7:43
Do not worry about the tears, Glenn, because in this mountain onions I would also to crybaby:-))For a dark room you have well captured light.
With but a man can as little be satisfied, that I know from my childhood still quite good - and you're happy because you do not know it differently. Money is not everything - unfortunately nowadays lifelong / survival!
sincerely Dagi