Jack Gabriel

The universe may change, but I shall not’. If the advert registers a collision between the continuous time of progress and the epiphanic time of death, it also suggests the idea that the individual is not merely part of an indifferent public space, a city, a country, a continent or a planet, but a minute element lost in an incomprehensible and indifferent macro-cosmos, the universe; however, a refusal to change, to flow with the landscape, is posited here as an strategy of inertia, a possibility of resistance towards change imposed from without.